The story of Indē Wild’s lip balm begins somewhere unexpected andnot in a glossy product launch, but in a quiet observation about usability.
The product originally existed as a healing ointment. It was effective, deeply nourishing, and loved by the community that had tried it. But affection for the formula didn’t necessarily translate into daily use. People appreciated what it did; they just didn’t enjoy the experience of using it.
That distinction is where good brands start paying attention.
Instead of rushing to release a new product or altering the formulation dramatically, the team chose a different route. They listened to their community and realised the issue wasn’t the product itself. It was the format. The ointment worked well, but it was messy, inconvenient to carry, and slightly awkward to apply.
The solution was surprisingly simple: keep the formula largely intact, tweak it where necessary, and move the product into a stick format.
The shift didn’t change the core product. It changed how people interacted with it.
And that’s where the real design insight lies.
In consumer brands today, design is often mistaken for aesthetics, colour palettes, packaging finishes, typography choices. But the most powerful form of design rarely sits on the surface. It lives in the small moments of interaction: how a product opens, how it fits into a pocket, how it travels in a bag, how easily it becomes part of someone’s routine.
A lip balm that applies cleanly in seconds is far more likely to be used than one that requires effort, even if the underlying formula is identical.
Indē Wild’s pivot from ointment to stick format reflects a deeper understanding of this principle. Products succeed not just because they are good, but because they are easy to live with. Remove friction, and habits form naturally.
This idea is becoming increasingly central to modern consumer brands. The difference between a product people admire and a product people repeatedly use often comes down to experience design. A great formulation can generate excitement, but good UX generates loyalty.
Seen in that light, the lip balm isn’t just another skincare product. It’s a small but meaningful reminder that innovation doesn’t always require inventing something new. Sometimes it simply requires changing the format so that people actually want to use what already works.
Good design, after all, isn’t just about how something looks. It’s about how seamlessly it fits into someone’s life.
And in that sense, Indē Wild’s lip balm is less a beauty product and more a quiet lesson in thoughtful product design.



